Mark the clips you focused on in Basic Corrections as your Hero shots. Take control of the colors in your shots with DirectGrade, a new approach to color grading directly in. For each group, you can designate one “Hero” shot to which all the other clips in the group will be matched. Cinema Grade Brings DirectGrade, Step-by-Step Guided Grading, and Hollywood Film Looks to Premiere Pro.Sponsored PostCinema Grade is an all-new color grading application by Color Grading Central. To assign clips to a group, first select the color and then click on the clips you want to add. Shot Matching in Cinema Grade gives users the ability to group similar shots into color-coded categories to quickly compare and copy color corrections. Focus on color correcting these particular clips first. We recommend previewing your clips to determine which ones best represent the majority. But, it’s important to realize the purpose of this step is to correct and color balance your clips. You can utilize all the color tools in the Basic Correction Correct panel. Cinema Grade doesn’t limit you to primary corrections at this stage. You can also apply specific camera and conversion LUTs for log and raw formats before color balancing. The simplest approach is to apply the input LUT in the creative section instead of the basic correction section, as the Lumetri color panel applies effects from. This mode is for color balancing your individual shots. We’ve already covered the layout and tools in each of these interfaces, but now we’re going to look at them in terms of workflow order. The steps in the workflow are right at the top of the interface: Basic Correction, Color Matching, Final Grade. But Cinema Grade has a specific workflow that, when used, is very powerful and efficient. You’ll love it just for adjusting the hues of objects in your shots. You can use Cinema Grade however you want, obviously. The interface cleverly hides tools so that the image is the biggest thing in the interface, as it should be. There’s so much more to Cinema Grade than meets the eye, and we mean that literally. Does this make Cinema Grade any less of a professional tool? Absolutely not! Anyone doing color grading can benefit from Cinema Grade.Īt the end of the day, regardless of user skill level, once you “buy in” to Cinema Grade’s approach to color grading, it’s blazing fast! Especially for making isolated hue adjustments.īut let’s not get ahead of ourselves just yet. It’s the color grading software of tomorrowĬinema Grade is targeting individuals-filmmakers and video creators-as opposed to the professional editing and color grading market. In fact Cinema Grade claims professional results without the “pain and frustration” of traditional color grading tools. His customized LUTs help him work fast, but he also keeps all the LUTs on different adjustment layers in the timeline to simplify workflow.Cinema Grade identifies itself as a “modern color grading software for the independent filmmaker.” Two things you can glean from this marketing statement:Ĭinema Grade is going to look and feel more progressive than the color tools you’re used to. Then he adds a color grade LUT and lastly he will do a final color correction and match of the footage. First, he converts his footage to a natural contrast and saturation. When it comes to color-correcting, having files that were shot in S-Log makes it easier to “fix it in post.” 3-Step Color GradingĪs he notes in the video below, Haapoja likes to think of every color correct job in three steps he’s developed after years of color grading. If you mess up an exposure while filming in S-Log, it’s a lot more likely you can still make the footage usable once you are in the edit room. It saves more data when you are filming and gives you more info in the highlights and shadows, he explains. Why S-Log?Īccording to Haapoja, shooting in an S-Log format gives you a lot more wiggle room in post when you’re ready to color correct your footage. Haapoja’s LUT pack is designed specifically to be used with Sony cameras and footage that has been shot in S-Log 2 or S-Log 3.
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